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There’s a moment in one of comedian Simon Amstell’s stand up shows where he recounts a conversation he once had with the executive producer of Channel 4 soap opera is “rubbish”, Amstell enquired as to why the producer didn’t try to make it better.
The answer came that they did make it better, but people stopped watching.
The phrase wasn’t a new one, having been kicked around for at least a few years, but the British Tabloid Press helped take it mainstream.
Technically, the term is pretty self-explanatory, but practically it is a loaded phrase.
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The fictional Chester suburb where the majority of inhabitants are extraordinarily good looking but also extraordinarily stupid has been identified by its often wildly outlandish storylines and impossibly pretty people.
primary cast has been predominantly made up of younger actors.
It might not be too much of a surprise, then, that a number of them have found their way into the horror genre since leaving the show.
It’s not unfair to say that horror movies have a tendency to fill their casts with actors that are easy on the eye.
Jonathan Glendening’s werewolf-in-a-remote-country-house movie is a very by the numbers offering, in which Atkinson stars as the promiscuous best friend of the heroine alongside Draco Malfoy and that guy who played the son in They’re chased around dark corridors and ripped to pieces by something that’s largely unseen and has the vision of a person holding a red filter over a lens.
His first client is Barney Spitz, a pop music promoter who wants Ken to dress up in an old fireman's uniform and star in a pop video!